목적지와 관계없는 방랑에 부여하는 가치...

아름답다....   갖고싶다....

X100_KOR.pdf

건질만한게 없네....;;;;;;

- 펌웨어 업데이트 방법 :    아래 파일을 다운로드 >>> 압축을 풀고 SD카드 루드에 복사 >>> 'INFO' 버튼을 누른채 전원 ON



- 펌웨어 2.0에 대한 설명 PDF 파일

        

- 2011년 3월 7일 첫 방송하는 새 월화드라마 <강력반>에서, 국내 드라마 최초로 ALEXA(알렉사) 카메라 촬영 도입

- <강력반>의 김재환 촬영감독 인터뷰

     Q. 알렉사 카메라란?
     A. 알렉사 카메라는 2010년6월 ARRI사에서 출시됐으며, 국내 드라마에선 <강력반>이 최초로 사용하고 있다.

     Q. 어떤 효과가 있는가?
     A. 알렉사는 영화용 슈퍼 35mm 포맷의 CMOS를 채택한 디지털 시네마 카메라로, 60Fps의 고속 촬영이 가능하다. 또 야간 촬영 시 표현 영영이 넓어,
         더욱 생동감있는 연출이 가능하다

     Q. 레드원 카메라와 비교한다면?
     A. 레드원 카메라는 알렉사에 비하면 노출이 잘 안 나오로, 컨버팅에 시간이 오래 걸린다. 알렉사는 영상 표현뿐 아니라 후반작업에 효과적이다.
         현장에서 즉석 편집도 가능하고, 무선 파일 전송도 가능하다.

     Q. 사용하는 데 어려움은 없었나?
     A. 레드원 카메라의 사용 경험도 있었고, 알렉사의 메뉴 기반이 간단해 촬영이 어렵지는 않았다. 꾸준히 공부하고 있으며, 장시간의 테스트를 통해
         카메라의 특성을 파악했다.

     Q. 촬영감독이 추천하는 관전 포인트는?
     A. <강력반>은 정통 수사물이지만 액션, 코믹, 멜로 등 다양한 내용이 담겨있다. 알렉사가 보여주는 힘 있는 화면과, 고속촬영, 영화같은 고화질
         영상은 드라마의 재미를 한층 배가시킬 것이다.

                                                                                                                                                             -출처 : 2011. 3. 4.  KBS 사보

-원문 :   http://www.dpreview.com/previews/fujifilmx100/

-공식 홈페이지 :   http://www.finepix-x100.com/en

In amongst all the cameras announced at Photokina 2010 - including enthusiast SLRs such as the Nikon D7000, Canon EOS 60D, Pentax K-5 and Sigma SD1 - one utterly unexpected model stole the show. Fujifilm unveiled the FinePix X100, a compact camera with an SLR-size APS-C sensor and traditional analogue control dials, that hides ground-breaking technology inside a retro-styled body with looks to die for. It's the company's first camera with a large, APS-C sensoraimed at professionals and advanced amateurs since the S5 Pro DSLR of 2006.

Fujifilm may be a company that’s currently best-known for its prolific production of compact cameras, but in reality it has a long tradition of making somewhat left-field, unique cameras aimed at serious enthusiasts and professionals. The company regularly sought out market niches in the days of film, from its Fujica 6x9 format rangefinders, through the GA645Zi medium format ‘zoom compact’, to the TX-1 35mm panoramic rangefinder (better known in Western markets as the Hasselblad XPan), all of which still command premium prices on the used market today. In the digital era it has concentrated mainly on its innovative SuperCCD sensor technology, employing it to provide class-leading dynamic range on cameras such as the S5 Pro and the EXR series of zoom compacts. Along the way it has made some genuine cult classics, including the F30 and F31Fd compacts which earned a reputation as excellent low-light performers.

The X100, though, is something totally different. It’s a beautifully-designed rangefinder-styled camera that squeezes an SLR-size APS-C sensor into its compact body, and sports a fixed, fast F2 maximum aperture semi-wideangle lens with a classic 35mm-equivalent field of view. It uses traditional analogue-style control dials for shutter speed, aperture and exposure compensation, alongside an electronically coupled (‘focus-by-wire’) manual focus ring. But the biggest story is its innovative hybrid viewfinder, which combines a conventional direct-vision optical viewfinder with a high-resolution electronic viewfinder, offering the best of both worlds plus a few unique tricks of its own.

The large-sensor, fixed-lens compact isn’t a new idea, of course, and both Sigma’s DP series and the Leica X1 have already visited this territory. However these haven’t been entirely convincing products, plagued by slow operation, low-resolution LCDs and, in the case of the Sigmas, a somewhat quirky interface. For this reason they’ve struggled to establish a compelling raison d’etre, especially in the face of competition from the new breed of interchangeable lens mirrorless compacts typified by the Olympus Pen series and Sony NEXs. So the real question will be whether Fujifilm has managed to refine the concept, and produce a camera that’s as compelling to shoot with as its specifications (and looks) suggest.

The X100 was shown at Photokina as a non-working prototype, slated for an introduction date of March 2011. Fujifilm says it’s on course to meet that target, and has kindly lent us a working prototype model for a first look, on which this article is based. The camera we have is not fully representative of the version that will hit the retailers’ shelves – certain aspects of the cosmetic finish are different, and the firmware is far from finished. So this won’t quite be our usual detailed preview, but instead a first impression of what the camera’s like 'in the flesh'. If you're interested in the X100, Fuji's own special site is also well worth a visit.

Key features

• 12 megapixel APS-C sized CMOS sensor
• Fixed 23mm F2 lens (field of view equivalent to a 35mm lens on full frame)
• 2.8" LCD screen, 4:3 aspect ratio, 460,000 dots
• Hybrid optical / electronic viewfinder
• OVF with 0.5x magnification, projected framelines indicate approx 90% of field of view
• EVF with ca 0.5x magnification, 1,440,000 dots
• Traditional-style control dials for shutter speed, aperture and exposure compensation
• ISO 100 (L), 200-6400, 12800 (H)
• Flash hot shoe and built-in flash
• Built-in neutral density filter (3 stops)
• 1280x720 HD movie recording with stereo sound

Compared to...

The composite image below gives an idea of the X100's size relative to some of its competitors, both fixed- and interchangeable-lensed. It's a bit taller than the Leica X1 with which it most closely competes, but this mainly reflects the X100's built-in hybrid viewfinder (X1 users have to make do with the rear LCD or an add-on optical viewfinder). It's also noticeably larger than interchangeable lens cameras like the Panasonic GF1, and particularly the APS-C Sony NEX-5 (from which it's poles apart in terms of control philosophy), but again, neither of these have an eye-level viewfinder either. Of course the X100 is distinctly smaller and more portable than any DSLR fitted with a similarly-fast lens.